Why feeling matters

“Sharing food with another human being is an intimate act that should not be indulged in lightly.”
MFK Fisher

The dinner party conversation, particularly when faced with a bunch of strangers put in a formal setting under the invitation heading of a ‘press dinner’, is never a scenario that fills me with joyful anticipation. When I’m enduring heartbreak of my own, the ability to enjoy these social occasions is further marred, requiring the responsibility of mask wearing. Doing so does not come naturally to me.

The invitation to the Gourmet Odyssey tour by The London Restaurant Festival was one I accepted reluctantly. One would think a meal that began with sushi and champagne would be easy to enjoy. Still, there’s something about British etiquette that seems to lay the ground rules for a certain social hierarchy.  For instance, the attendees and their celebrity factor still seem to count; it’s a scenario that always works badly against the magic of any food, however mouthwatering and delicious it is. This particular issue was one I was keenly aware of after having enjoyed supper at the estate of Clos des Pape, where the estate owner’s completely down to earth disposition made the wine, the food (barbecued duck with a tomato and mozzarella salad, in case you ask), and the afternoon infinitely more compelling. The conversation began with one of his most genuine concerns: the question of love. This may seem too personal to some, but the point is the unassuming nature of the conversation.

The chef’s introduction at Nahm, where he stood at the table and spoke to us about the dish, was a directly opposite affair. The formality of this was in deep contrast to Christian Etienne, whom holds a Michelin star at his restaurant in Avignon, but sits with you, enjoying both cuisine and conversation. Good food seems for me to only be glorious when one can really share the food at a table; this means that the conversation flows between topics without the falseness of expected etiquette. Maybe analysis and food go hand to hand; the sensory inspiration that food provides seems to be lost in an etiquette-bound event.

It seems a great pity to place food within the category of aspirational. I understand that sentiment, particularly since cities make food rather distant from the eater in some ways; supermarkets are disengaging with their over-packaging, food deals and self-serving cash registers, and impose food and price together, with the grower lost in the screen of some glossy advert. Maybe if we all took a trip to the countryside and enjoyed the sensory qualities of food, its smell and its beauty, we would ensure our conversation matched our plates.

“Thou shouldst live eat to live: not live to eat.”
Socrates

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Retro snacking and kisses

Does taste, like an unforgettable kiss, come back to haunt you, even though sometimes, like the most deeply felt of kisses, it’s better for your health to keep them contained to the dusty store cupboards of one’s memory? Lately, I have had some unexpected food cravings – not owing to any early signs of pregnancy, but rather a deeply held fondness or nostalgia for sugar snacking. This secret penchant for Wagon Wheels and Battenberg has left me rather curious as to why some tastes, or at least their memory, make you smile fondly and keep you wanting more. Maybe it’s the hidden pleasure factor; I had a mother who was firmly against pre-packaged food and very much into home cooking, so there’s certainly an element of forbidden-fruit desire for me personally, though I am not alone in the treasuring of such small triumphant pleasures. As it turns out, chocolatier William Curley and the gentlemen behind fine food deli Melrose and Morgan have taken this British fondness for sweet-toothed childhood treats to a whole new level, with no florals or grannies in sight (though of course, I love both). They have respectively re-created two British institutions; William Curley has put together a selection of nostalgic favourites, based on reminiscences from his own childhood, “I remember as a child spending my pocket money on Mars Bars and Marathon Bars (or Snickers as they are now known). I craved, like most children, the sweetness of this confectionery mixed with the chewiness of the caramel and the crunch of the peanuts”. Melrose and Morgan have taken the Battenberg recipe from grandmother Melrose and updated it for their own kitchen. Nick Selby (the Melrose of Morgan and Melrose) says, “Ian and I both have memories of baking at home and also gorging on shop bought delights such as Battenberg and Custard Creams when we were small. Battenberg is just one of those cakes that makes us all smile and takes us back – and nostalgic baking certainly seems to resonate with our customers. Of course, back then it had a tiny hint of the ‘plastic’ about it and now, with top quality marzipan and our own apricot jam, its a bit more grown-up and even more of a treat!”

A great deal of taste, for me, is married with that in-the-moment feeling, of eating and remembering deliciously when I last ate that pleasurable morsel.  In E.E. Cummings, words: “Almost anybody can learn to think or believe or know, but not a single human being can be taught to feel…the moment you feel, you’re nobody but yourself.” So with this, my added guest for a sweet trip down memory lane would be Bourgogne Rouge, Au Pelson. Its not the tipple recommended by the wine experts at Berry, (they suggested a more sweeter accompaniment), but my personal choice would be a burgundy. This particular wine was created in 2004 when David Clark left his job as a track-side engineer in Formula One racing to follow his own personal affection for making great Burgundy, and this one can be purchased from Berry Bros & Rudd. If this piece finds you hankering for childhood treats without the poor cardboard quality, we have recipes for both home-made Jaffa cake and Battenberg for you to marvel over, courtesy William Curley and  Melrose and Morgan.

JAFFA CAKE
Génoise sponge, orange marmalade, orange ganache coated in dark chocolate

Orange Marmalade:

400g Seville oranges (about four)
1 lemon
1 litre water
800g white sugar
1 tsp soft dark brown sugar

Method:

  1. Wash the oranges in water.
  2. Zest the pith of the orange into long strips with a peeler.
  3. Cut away any white off the zest and then finely slice the zest, and place into a muslin cloth.
  4. Slice the oranges and lemon and place all of the juice, pith and flesh into a heavy saucepan. Add the water, sugar and the muslin bag.
  5. Simmer for about two hours until the pith is tender.
  6. Pick out the bag with the zest and leave to drain on a plate.
  7. Line a colander with a few layers of muslin and tip the contents of the pan in. Leave to strain for an hour. Squeeze out all the liquid as this contains the pectin that sets the marmalade.
  8. Return the liquid to the pan and add the zest from the muslin cloth.
  9. Bring to the boil and cook until it reaches 104°C and cook for 5 minutes.
  10. Leave to cool.

Génoise makes: 1 60x40cm baking sheet

175g Egg whites
175g Sugar
210g Egg yolks
175g Flour

Method:

  1. In a mixing bowl, slowly whisk the egg whites gradually add the sugar and increase the speed to form a stiff meringue.
  2. Gradually add the egg yolks.
  3. Add the flour, mixing carefully.
  4. Spread carefully onto the black fleximat.
  5. Bake at 180°C for 18-20 minutes.
  6. Allow to cool.

Orange ganache:

1000g Orange juice
1/2g Vanilla pod
90g Inverted sugar
250g Toscano 70% dark
50g Cocoa mass

Method:

1. Split and scrape the vanilla pod.
2. Boil the orange and vanilla, reduce to 400mls.
3. Add the invert sugar to the orange juice and re-boil. Cool to 65-70°C. Strain and remove the vanilla.
4. Finally chop the chocolate. Melt over a bain marie to approximately 45°C.
5. Gradually add the orange juice to the chocolate, mixing continuously to form an emulsion.
6. Allow to set.

Orange Dust:

  1. Using a micro plane zest 2 oranges.
  2. Sprinkle the zest on a silpat mat lined tray and dry in a cool oven 100°C for 2-3 hours.
  3. Allow to cool.
  4. Place in an air tight container.

Tempered 65% dark chocolate

To assemble:

  1. Cut 5cm discs of Génoise place on a tray.
  2. Spoon the ganache into a piping bag with a 8mm plain nozzle.
  3. Carefully pipe a ring of ganache around the edge of the sponge.
  4. Spoon the marmalade into the centre of the sponge.
  5. Using a dipping fork, dip into the tempered chocolate.
  6. Decorate with the fork and sprinkle with the orange dust.

MELROSE AND MORGAN BATTENBERG CAKE

Makes x 2 Battenberg

Ingredients:

350g      Butter (room temperature)
350g       Caster sugar
350g      Organic self-raising flour (sifted)
6            Free range eggs (room temperature)
2 drops  Natural red food colouring
3 drops  Natural yellow food colouring
1kg        Best quality neutral marzipan
6 tbs      Best quality apricot jam (warmed)

Equipment needed:

Two 20cm x 15cm x 4cm Battenberg tins (we use Silverwood.com)

Method:

  1. Cream the butter and sugar in an electric mixer until light, smooth and pale.
  2. Add the eggs to the mixer one by one.
  3. Add the sifted flour and continue mixing.
  4. Once combined, weigh the batter and divide in half.
  5. Colour one half with the red colouring and the other with the yellow.
  6. Line two Battenberg tins with paper, covering the bottom and the sides.
  7. Pour the mixture into the tins and bake at 180 °C for 50-55 minutes
  8. Put the cake into the fridge until cold and firm, then slice off the top crust.
  9. Trim the cakes so that they are all the same size and when fitted together make a nice square.
  10. Alternate the colours of the cakes so that you have one pink and yellow at the bottom and then pink on top of the yellow and yellow on top of the pink.
  11. Warm the apricot jam and glaze the sides of the cakes that will be touching so as to stick them together.
  12. Roll the marzipan in to a square rectangle, the correct size to fit the cake (use the tin as a guide).
  13. Brush the marzipan with the glaze, and starting from one side, wrap the marzipan over the cake ensuring that the sides are pressed firmly and that it is stuck to the cake without any air bubbles.
  14. Chill the cake again for 10 minutes before slicing into generous slices (chilling will allow you to handle the cake and get a clean slice).
  15. If you only want to make one cake then you can freeze down the cooked sponge for next time.

Compliment your own retro snacking session the morning after with something bright and vintage to drape around the neck. We love the below, taken from Scarves, by Nicky Albrechtsen and Fola Solanke (Thames & Hudson) £35.00

 

 

 

 

 

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The terroir of tea

I’m always interested to discover the rare, so it was with delight that I accepted a quick tutorial in tea from Lalani & Co.


How charming to be introduced to a family of tea traders, an exotic title for a role that, in my mind at least, seemed something confined to a history book. What then, is boutique tea? Like the terroir for wine, so it is for tea. Jameel and Nadeem, the brother duo at Lalani & Co, outlined three boutique tea gardens:

Makaibari Tea Garden, Darjeeling
A fourth-generation family-owned tea garden, and the oldest in Darjeeling. Makaibari was also the first organic tea estate in the world. Rajah, the owner, is renown for pioneering organics, biodynamics and sustainable techniques. His Silver Tips Imperial tea is picked only under the full moon (about 4 pickings a year) and is produced via a secret method. It is the pinnacle of Darjeeling and exemplifies Makaibari’s terroir.

LaKyrsiew Estate, Meghalaya province (pronounced La-Kir-see-you)
LaKyrsiew produce what is possibly one of the finest teas in India, and are an example of the new movement of provenance and terroir in tea. LaKyrsiew is a new boutique estate planted a few years ago on virgin soil using Darjeeling varietals. Their teas are picked seasonally, and mature and peak over 4-6 month cycles. They include rich caramel and toffee notes on the nose, along with subtle chocolate and sultana too.

Big Island, Hawai’i
Big Island is a small boutique tea farm in Hawai’i. They produced 10kg of one of the world’s rarest and finest teas last year. Eliah hand rears, hand picks, and hand rolls all the tea herself – true artisan tea making.

As my mind skipped with the romance of hearing about the science of tea drinking and the aromatic loss of a tea when drunk in china as opposed to its fragrant bouquet in the openness of a cognac glass, it was with keen interest that I wondered how a drink with such delectable and refined characteristics had been overshadowed by the ‘anyone for a cup of tea?’ mantra that echoes through the corridors of every office. And so I came across a passage from Colin Spencer’s book, British Food: An Extraordinary Thousand Years Of Food, that helps one to regain a sense of tradition and origin, and to discover that tea was all about  ceremony once. It was Mary of Modena, wife of James II of England, who introduced tea in 1681 when her husband was Lord Commissioner of Scotland, and this introduction led to the national quest for baking to accompany the drink. Tea was the meal of ceremony and once boasted fifty-odd kinds of accompanying tea bread. One Scot made a small fortune with his milk-bakes; his shop in Forrester’s Wynd was often surrounded at 5 o’clock by a great concourse of servant maids, whilst one Scottish woman remarked whilst living in London at the time, that the tea was disappointing for it was served with “flimsy bread and butter, no such thing as short bread, seed cake or bun”.

So now, equipped with my cognac glass and boutique tea, my question is: what is good company for my tea, other than cake?

***

Lalani & Co teas are specialist wholesalers working the finest restaurants, businesses and suppliers. They periodically hold events and sales for private buyers.

lalaniandco.com

 

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London on a Plate: the launch night at Morton’s

We thought introducing the guide to people personally was more in keeping with our notebook sentiment than the viral route usually employed to launch apps.

© Bruno Conrad

Organising the night seemed on par with hosting any event (at times it seemed like arranging a wedding party, with so much logistical juggling), but for me, the notion of engaging with our customers was central to the personalised feeling we were aiming for.

© Bruno Conrad

Having to work with a shoestring budget meant we were lucky to be offered the kind services of stylists-in-training, Caroline Young and Indie Nahal, who set about laying a table that would reflect the atmospheric sense of London on a Plate.  The intention was to create the scene left behind after a dinner party: when you’ve had a truly lovely time, enjoyed the food, left the remains of a beautiful party and sauntered off into long conversation or dancing elsewhere. This notion was also in combination with having a room with a 60 guest capacity filled with the daunting yet slightly exhilarating prospect of 250 RSVPs.

© Bruno Conrad

Thanks to Shingai and The Noisettes, we also managed to bring some music to the room. The best laid plans are often subject to change, and though their set started some hours later than we had hoped, the last few guests of the night were treated to a late but magnificent vocal performance from Shingai.

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Going Live

I was filled with the joyous trepidation of awaiting the completed version, but was also abuzz with the anticipation of what follows. It’s not quite the same affair as the birth of one’s children, but when you’re in love with what you do, it’s a certain close second; the emotion of seeing the ‘application gone live’ notification was tremendous.

The content and its purpose has been set with the tone of the personal, from the photography and the personalised reviews to the careful selection of objects for the ‘To Love’ pages, and we (the team) put all of the treasures we could muster into creating something with a truly personal feel. Early discussions with our designers at Studio Special worked around the notion of a favourite notebook, full of gorgeous cuttings, doodles and poetry. I was inspired by a long bus journey I took once in Costa Rica, travelling to Matapalo and sitting next to a musician who had a gorgeous notebook in toe. The book, full of scribbles and rhymes, was one of the first to make me realize how special a notebook can be, and my five year old often reminds me of this as she carefully minds her own book, practising her letters and delicately holding up the page for me to see. The quest was to translate this sentiment into the app, and to communicate the pleasures a notebook can offer.

Did this come quality come to life for our first customers? I shall quote James Sanders at The Pink Paper, and let you draw your own conclusions:

“More holistic than a traditional city guide, this lifestyle app embraces every aspect of food culture – from taste, quality and service to recommendations for a handsome dinner party, including what to wear by the best British designers. We’ve normally got enough on our plate, but we’ll definitely make room for this”.

pinkpaper.com
studiospecial.com

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Zigzagging

The Oscar Wilde line that a great friend of mine likes to quote, which you can view it for yourself at the corner of the Strand just opposite Charing Cross Train station, has always struck me as particularly fine: “We are all in the gutter, but some of us are looking at the stars.”

My friend always allied this to the fine line between sanity and insanity, particularly around questions of creativity. So what am I nattering on about? Well, the journey to creating anything seems to be fuelled (beyond the desire to actually bring something in to existence) by explaining it to others and convincing them that they might take the proposition on. My own moment came once I’d put to bed my first book, Midnight Feasts. The printing process had been set into motion, and I was free to tackle a question I’d been pondering for some time, namely: why is it that travellers often avoid sampling the delights of local cuisine? One such example was an epidemiologist who had travelled to France but refused to eat French food, preferring instead to visit a local fast food outlet. I’m told the epidemiologist was a sophisticated and open-minded fellow on all other subjects, so was his reticence due to allergies, or rather for fear of an unfamiliar menu? I decided that finding a way to let travellers know what to expect from local cuisines before they sampled it seemed a satisfying solution.

My idea was to recommend places where people might eat, and to supplement these with recipes from their place of choice. I dipped into all the memories that come from the ceremony of enjoying food, and as I reminisced about a gorgeous pancake breakfast I’d once enjoyed on the rooftop of Villa Maroc in Essaouira, I remembered that though the food was central to my memories of the event, it was also the surrounding view (in this case a windy beach dotted with seagulls), that coloured my recollections. It was an event that took place ten years ago, yet I can still recount the décor of the rooftop, and even what I wore on the day. This is where London on a Plate started.

My first thought was to compile a book, but a literary agent friend assured me that apps, rather than books, are the future for travellers. I was met with some hurdles when first trying to get this project into action, but just when it seemed there was no hope, I managed to find a friend who was willing to invest in bringing the app to life. It took a year of rejection before that ‘yes’ came along.

***

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